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Play for Affection

by Arms of Kismet

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of My Projection of You (single), Potter's Field (single), Dreamland (single), Ballast and Bromides, The Helium Age, Play for Affection, Cutting Room Rug, and Eponymous. , and , .

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1.
The Game 02:40
a misstep a quick quip and you’ve got no control a takedown a stand ‘round and you’re down the sinkhole is this a movie or real, too real? or is this some kind of game? I can play it and I can say it but I’m in the hollows I can do it if you will hew it when I’m at the gallows is this the cinema or real, too real? or is this some kind of joke? I am Colonel Mustard you are Professor Plum I’ve been hit with a candlestick and my heart is numb
2.
where would I be without my lust for a sun-drenched Saturday? where would I be without my greed to pull you close to me? where would I be without my anger at a world that’s got to change? where would I be without these sins made me who I am today? a ripe Neanderthal an evolving creature I grow a little every day it’s my mercurial nature where would I be with Prudence? I can’t find her in the magazines and Faith and Hope and Charity are lost inside that scene how can I thrive on temperance? good taste is an alien form how can I fight for fairness when justice ain’t the norm? a hatching influenza an evolving danger I spread a little every day it’s my mercurial nature that little planet ‘round the sun on a beeline, flying fast but it’s taken me so long to take myself to task sins and virtues help and hurt you but I can’t understand why it’s hard to be a man sins and virtues don’t desert you but I can’t understand why it’s hard to be a man with a mercurial nature
3.
another stagnant Saturday night for Antoinette and Leila killing time on the porch like a couple of spinsters sipping on tequila but it’s not every night in a life of the same when the circus is in town at the fairgrounds they saw the lion-tamer and the tightrope-walker under the big top they grabbed a seat with a view of the clowns next to the backstop a little man in the ring swept the light with a broom and Toni said, ‘I think that’s Emmett Kelly’ and then their eyes met Leila said, ‘hey, that’s just fine but it’s silly he’s been dead since 1979 this Emmett Kelly’ Antoinette shrugged her shoulders and let out a sigh and ate some cotton candy said, ‘I’ve been needing a laugh and somebody like that would come in handy’ she remembered a painting she’d seen as a girl and said, ‘I know that’s Emmett Kelly’ and then their eyes met Leila said, ‘hey, that’s okay but Weary Willie has been dead forever and a day so say goodbye to Emmett Kelly’ Antoinette just looked into his eyes
4.
this is how the rocks fell while she scaled the mountain reached the pinnacle and what did she see? it wasn’t everything she thought it would be this is how the night fell while she chased a glimmer in the supernova she did find a light so bright that it left her blind but she’s smiling, baby and maybe that’s everything and hey, maybe not when your bliss is what you’ve got you spread your wings and drop in the year of reckoning and that is called stagecraft the man behind the curtain found him sitting there, turning a crank and she really didn’t know who to thank but she’s laughing, baby and maybe that’s nothing and hey, maybe not you punch your ticket and you take your shot you wait to see what drops in the year of reckoning no sooner did she know she was awake and alive a year of reckoning turned into five now she’s hitchhiking to your door doesn’t need a car anymore
5.
sitting on the wall, Humpty perched upon the ledge staring at the ground below inching toward the edge I wondered if somebody had ever flown from there raised their arms like wings and fallen through the air pennies for the wishing well are cheaper by the pound and like every wishful embryo I thought I’d bounce in the moment I was flying and the ground was drawing near my life, it flashed before me my heart was filled with fear I wondered if somebody could make some sense of it curled up like a hanging slider landing in some catcher’s mitt the dreams that move our bodies are cheaper by the pound where every wishful embryo is waiting for the bounce like a dancer’s pirouette on a trampoline a chance to dance forever bouncing over everything now I’m picking up these pieces, I am picking up these pieces, I am picking up the pieces of myself and when I’m back together, well no matter what the weather, hell I’ll open my umbrella in the moment when I fall and glide across the countryside and through the quiet clouds to the silence of the heavens a cacophony that’s louder than the sound of cracking open or the sound of breaking down and there I’ll make my bargain see if my heart has hardened there I’ll make my bargain with the ground
6.
I am biding my time I am standing in line at a place where I hang just about all the time I come to see Holly Near or maybe Jules Shear and I see all my friends and I know they’re all near I know they’re all acquainted with this feeling and by the cigarette machine dwells the miserablist and no one bothers him no one steals his thunder he smokes a lot but doesn’t speak he reads a book by Cheever and where he goes at night I can only wonder a nice black and tan and a fine IPA our old friend is here from Altoona, PA see that girl at the bar I knew her in the third grade before we were anybody before we were made before we were acquainted with this feeling and where he goes at night we can only wonder
7.
Leaving 05:01
show’s done, brow’s wiped big crowd, fat hype down the hall, sign said ‘knock twice, get paid’ open up the door a crack spent hopes upon my back lava lamps, glassy eyes ashtray hearts and muffled cries Philly Phil loosens his tie sweating gin, no lie I’m unaware and unafraid I’m just there to get paid prefabricated dreams paintings on velveteen Phil sighs a voodoo hex Monkey Girl’s under the desk I am leaving immediately I am leaving immediately these are sights I need not see, so I will be leaving Monkey Girl up and speaks pink rouge, pale cheeks stories of a former life when she was a banker’s wife Calcutta paved with gold ideals and children sold paradise, dirty streets clean hands and broken feet Monkey Girl glows with sweat withered heart, swollen debt ill intent, it did encroach left her reborn as this roach legs akimbo, on her back Mata Hari smoking crack levitate out of this hole squalor can raise the soul paying debts with Philly Phil past sins, road kill gravitate out of this hole free will can save the soul
8.
it didn’t matter where she was from it didn’t matter where she would roam as long as she was singing she’d never be truly alone she was a mistress of the lights she was an angel of the mic and if anyone did not love her they never heard her voice that night performing a song called home another song called home a tribute to the broken in a world of songs and stones performing a song called home her performance was top drawer who could ever ask for more? but you couldn’t help but wonder if it was love or it was war in a world of hearts and stones performing a song called home and on the night that she drove home over the puddles and cobblestones her hands were small and trembling as she fought to dial her phone and when the yellow turned to red she heard a phone ring in her head and it was all too late to answer too late to greet the living too late to sing some other song too late to seek forgiveness and that’s the way it ends sometimes that’s the way it goes
9.
keep me waiting don't let go keep me chasing don't let go
10.
stepping through the clouds teetering on stilts you see for miles and miles you see the quilt gliding through the sky time flies from east to west a glimmer in your eye the world is chess the sun is going down but come on, don’t be sad the plane has left the ground and you’re beautiful in plaid a warning in your ears a fairway in your eyes a drive to greener pastures fills the empty skies and it’s not that you hate games, you said the long shots as they rise it’s not that you hate games, you said it’s what they symbolize it’ll never be a fad for the rest of them, you know they’ll never dress in plaid it looks good, it looks good on you, though like your old granddad in plaid

about

Produced at The Crow's Nest in Winchester Virginia.

Mastered by Jon Astley at Close to the Edge in Twickenham, England.

Drums and sitars were recorded and mixed by Eamon Loftus and Jay Olszewski at C&C Studios in Sterling, Virginia. Early mixes were premastered by Eamon Loftus at Brick House Recording in Fairfax, Virginia.

Words and music by Mark Doyon (ASCAP). All songs published by WMM Songs (ASCAP).

Evan Pollack: drums, tambourines
Gaurav Mazumdar: sitars
Garth McGuinn: organs, pianos, 12-string guitars
Eamon Loftus: guitar on "Beautiful in Plaid"
Kowtow Popof: backing vocals on "The Game"
Janna Audey: backing vocals on "Year of Reckoning" and "Beautiful in Plaid"
Logan Claytor: banjo on "The Game"
Grahame Davies: backing vocals on "Emmett Kelly in Love"
Anne Rogers: backing vocals on "Emmett Kelly in Love"
Paul Golder: backing vocals on "The Miserablist"
Mark Doyon: vocals, guitar, bass, keyboards, loops

Graphic design: R.E.D. Design
Illustrations: Allie Rae

credits

released November 30, 2010

©2010 Wampus Multimedia.

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Arms of Kismet Winchester, Virginia

Brooding and poppy, funny and foreboding, it’s toe-tapping, tragicomic rock ’n’ roll.

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